The landmark 100th edition of Now That’s What I Call Music is out today, 35 years after its first release. All 100 editions have been mastered at Abbey Road, beginning on vinyl back in 1983 when tracks such as Phil Collins‘ ‘You Can’t Hurry Love’, Culture Club’s ‘Karma Chameleon’ took centre stage. ...

With a whole host of exciting developments, Mirek Stiles decided it was time to sit down with an artist and talk about the potential of Spatial Audio and what the technology means to them from a creative perspective. ...

“The facilities, the staff, the players, the history...all unrivalled. Dwayne Johnson himself thanked me for providing power and emotion for his film, and I pass those thanks along to everyone at Abbey Road. Thank you for helping me bring this score to life.” – Steve Jablonsky, composer, Skyscrapper. ...

A new collaboration between UK rap duo Krept & Konan and punk band Slaves is revealed through the Masters of Potential music partnership with Hennessy and Abbey Road ...

Massive congratulations to our Chief Creative Advisor Nile Rodgers who adds the role of Chairman of the Songwriters Hall of Fame to his ever increasing portfolio of honours. ...

Abbey Road Red Innovation Manager Karim Fanous talks us through last week’s Red Talk which challenged the thinking around the use of data in the A&R process and explored the blurred line where gut meets ...

We recently sat down with Marina Diamandis in Studio One to discuss being part of the NHS Voices, working on her new album and her earliest memories of Abbey ...

Rising Grime star Novelist and Abbey Road’s Gordon Davidson invited Future Music Magazine into Abbey Road’s Front Room studio to dissect his hard-hitting Grime anthem Stop Killing The Mandem. ...

Last week we proudly hosted an incredible group of songwriters and producers in Studio Three as part of the BMI London writing camp. The group featured a wealth of talent that included our own Emily Burns and mastering engineer, Christian Wright. ...