"We were in Studio One for about seven days in total, throughout November and December. Christophe Beck and Peyton Reed (director) were here for the first batch of the recordings, which was great to see how important the relationship between the composer and director is to a film and its soundtrack.
Full orchestra this time, with strings, brass, horns, woodwinds, harp, piano and percussion. Doing first takes on this session was quite an incredible experience!
Film sessions are always about the team work, and I’m certainly thankful I get to work with such a professional and super prepared team."
