Sarah Meyz is an alternative pop artist and producer, born in Jundiaí (Brazil). She has toured and performed on many prestigious stages such as Blue Note in New York, on Bourbon Street and most notably at Lollapalooza Brasil.
In 2012, Sarah was awarded a summer program scholarship by Lollapalooza and Berklee College of Music, at their new campus in Valencia, Spain. There, she earned a second scholarship for a five-week course the following year, in Boston, USA. At the end of the course, with no less than five letters of recommendation from different teachers and a remarkable performance at her audition, she was one of eight people in the world awarded a rare and highly desired full-tuition scholarship to study at Berklee. In 2019, she graduated with a double degree in Music Production & Engineering and Vocal Performance.
During a one-week residency at Peter Gabriel's Real World Studios in Bristol, UK, she met engineer Andrew Wilson, and was offered an internship to work on the soundtrack of a Disney nature documentary, which included a two week mixing period at Abbey Road Studios in London, UK.
In late 2021, she was the first Brazilian to join Abbey Road Studio’s engineering team. She has worked on soundtracks for films such as Society Of The Snow, Black Panther: Wakanda Forever, and Guillermo del Toro's Pinocchio, as well as the song I'm Just Ken, sung by Ryan Gosling from the movie Barbie, and the 1984 audiobook soundtrack with Matt Bellamy from Muse. In 2024, she moved up to work in the studio's Audio Products department, with exciting and creative projects ahead.
Sarah has recently released her first EP, Things That They Don’t Know, which was independently produced by her in her home studio. A distinct feature of her work is the presence of the harmonica, the instrument with which she began her musical career which she mixes with effects that bring her into a more electronic and pop universe - creating a unique sound.
To Sarah, it is all a matter of knowing the rules, so she can break the rules. “It is not about the equipment or the space you have" she says. "Being a pro, to me, is dominating the ability to translate your knowledge across any and all situations you encounter as producer or engineer. From a bedroom recording using only a computer and an interface, to recording a large orchestra in the prestigious Studio One.” She adds: “It is a true honour to be a part of the Abbey Road family. It has been a wild and fun journey so far and I cannot wait for all that is still to come!”
In 2012, Sarah was awarded a summer program scholarship by Lollapalooza and Berklee College of Music, at their new campus in Valencia, Spain. There, she earned a second scholarship for a five-week course the following year, in Boston, USA. At the end of the course, with no less than five letters of recommendation from different teachers and a remarkable performance at her audition, she was one of eight people in the world awarded a rare and highly desired full-tuition scholarship to study at Berklee. In 2019, she graduated with a double degree in Music Production & Engineering and Vocal Performance.
During a one-week residency at Peter Gabriel's Real World Studios in Bristol, UK, she met engineer Andrew Wilson, and was offered an internship to work on the soundtrack of a Disney nature documentary, which included a two week mixing period at Abbey Road Studios in London, UK.
In late 2021, she was the first Brazilian to join Abbey Road Studio’s engineering team. She has worked on soundtracks for films such as Society Of The Snow, Black Panther: Wakanda Forever, and Guillermo del Toro's Pinocchio, as well as the song I'm Just Ken, sung by Ryan Gosling from the movie Barbie, and the 1984 audiobook soundtrack with Matt Bellamy from Muse. In 2024, she moved up to work in the studio's Audio Products department, with exciting and creative projects ahead.
Sarah has recently released her first EP, Things That They Don’t Know, which was independently produced by her in her home studio. A distinct feature of her work is the presence of the harmonica, the instrument with which she began her musical career which she mixes with effects that bring her into a more electronic and pop universe - creating a unique sound.
To Sarah, it is all a matter of knowing the rules, so she can break the rules. “It is not about the equipment or the space you have" she says. "Being a pro, to me, is dominating the ability to translate your knowledge across any and all situations you encounter as producer or engineer. From a bedroom recording using only a computer and an interface, to recording a large orchestra in the prestigious Studio One.” She adds: “It is a true honour to be a part of the Abbey Road family. It has been a wild and fun journey so far and I cannot wait for all that is still to come!”
